Walkman's, Hotmail, North Star Takkies 23.04.2015

In a series of Interviews i did, the Russian Bear Hunter next caricatured Jonathan Liebesman, Holywood Director. You might recognise his most recent flik, Teenage Mutant Ninja Turtles.

I called the United States and at the other end of the ‘dog n bone’, was Lily, PA  to Jonathan Liebesman, Hollywood Director and good guy with a good head of hair.

Those late Sunday afternoons when the stray boerie was left on the bbq and the sun was dipping beneath it’s clouded blanket, the carte blanche soundtrack beated a limp feeling in our hearts, there we were playing tennis-court cricket focused as the great Hansie. But tonight as I spoke over the crackled line to the States, I found out he wasn’t focused on the game, he was dreaming of making movies.

I grew up with Jono, we got dirty riding bikes in velds and playing hourless cricket, we drank grape Fanta, and swam till we turned to raisins. We lived through the lens of Steven Spielberg’s viewfinder. As we grew up, that lens found Jonathan and he sought it.

Jon races through his career like Eastwood hunting the Ugly on the moving set of a Western.
King David, AFDA ‘s South African School of Motion Picture Medium and Live Performance, NYU’s Tisch School of the Arts, short film, agents ,LA Hollywood , Darkness Falls, popcorn coke and Box Office Number one.
Like John Wayne to wild horses, I reel him in. I need to pull him back to get where he was, where he is and where he is going.
At NYU in 2000, Jonathan reeled in the Student Short Film Award at the Austin Film Festival and the Hollywood Young Filmmaker Award at the Hollywood Festival. His adaptation of Roahl Dahl’s ‘Genesis and Catastrophe’ had quivered the nostril hairs of movie  agents in Tinsel Town.  No sooner had he picked up the award, the cameras for Darkness Falls were rolling and Jonathan and baseball cap were sat in the director’s chair.

As a young school going lad, Jon wanted to make movies that he wanted to see. He put all his efforts, concentration and focus in achieving this dream, of making  the silver screen his reality.

The film industry is a cage fight. As the director, you fight hard for what you envision, for what you hope millions will see.  Bidding for the opportunity to direct a movie is stripped of Hollywood glam and red carpets, it’s gladiators fighting  till the death for an opportunity to create, to turn picture boards into movie motion. To retain creative integrity the director sets out to compromise as little as possible. You’re chosen for your skill set, for your conviction, for believing in what you’re presenting and making them believe you are the best.

Jon defines his success as being able to do what he loves doing, being able to make a living creating movies.
Jonathans sensitivities  and humility transfer over the ether as he engages where he is currently. He acknowledges success; that it has come through a constant inner drive and determination. Realising that you’ve reached the pinnacle, remember to enjoy it, remember to appreciate it. That is success.

The industry is a scene from a mob movie, it’s tommy guns, black coats and sock daggers. Jonathan is dumbstruck by the lack of integrity, fidelity and trust that Hollywood’s film industry imbues. He holds dearly the importance of family, and the trust that comes with his familial relationship. He advises never to be surprised by anything and don’t take business too personally.

Every opportunity to direct a movie is seen as an achievement. Jonathan takes little for granted.

If he had to koki pen his highlights of his time in the hills of Hollywood, directing his favoured actors,  Ralph Fiennes and Liam Neeson, two actors that starred in his number one flik Schindler’s List would no doubt be the pinnacle.
Life isn’t that rosy when you receive a pasty review, however, when you’re in the field he so dearly devours, lowlights aren’t even worth while mentioning.

Extracting Excalibur from the rock is less difficult than following one’s passion. It’s seldom the practical option, however, whatever you do, find something within that which you are doing  that you love and indulge in it.

So the next time you’re at the cinema watching Battle LA, Texas Chain Saw Massacre:the Beginning or Wrath of The Titans hold fire for  the director’s credit for you’ll see a familiar name. Jonathan Liebesman.