Friday, December 06, 2024

A Vivid Memory of A Day in Nursery School

On this day in 1984, the morning and the late morning were book-ended in real hurt.My career in nursery school typically oscillated between golden, happy days, and dark Mordor-like days. This day, as my parents dropped me at the school, I bawled tears of anxiety, bawled tears of separation. and as I passed through the heavy, dark and creaky gate, the tears I cried drenched my favourite two-toned t-shirt.

As my teacher took me by the hand, consoling me, I entered the linoleum-floored classroom.

The smell of fresh poster paint cleaves to the inside walls of my nostrils as it's slapped onto card by tiny nimble fingers that have been up noses, plunged into play dough, and sprawled across white walls. The deep, congealed, blood red, the ocean dark blue, and the Namaqualand bright daisy yellow bottles of paint line the window sill through which the winter sun-light pierces casting a prism on the white notice board. A ziggurat of Hazyview-scented, freshly-cut pine-wooden building blocks, their veiny grain giving grip to small hands, knock and tumble as us kids build and bash empires. Kids push baby prams, and others go shopping with small trolleys. It's the Shibuya Junction, their order, our chaos. 

As the last bite of our apricot jam-and-buttered sandwich is soaked into our skins, and the nuclear glow of the Oros orange juice, held precariously in the scuffed plastic cups, courses through our little child-veins emitting a halo around our bodies, and the wave of hyper energy fires our thrusters, the steel school bell for playground-time ding-a-lings. We break out of close quarters, hurtling towards the playground screaming in pent up excitement. Some kids skittle towards the sand pits, others towards the split-pole bus, some bee-line for the car-carcass and others, to the swings. Friends grab each other's hands dragging one another like rag dolls excited to share experience.

Me, i walk out of the steel-framed glass doors cooly, a wind howling through my GHD straight hair. The velcro on my North Stars wrapped tightly across my feet fitting snug and ready to race. The white piping on my silky Road shorts giving me fashion runway street cred. Having eaten my jam-stained isosceles-triangled bread slice, I walk beyond the stoep into the morning sunshine. My favourite red-coloured t-shirt clings to my skin. I head to that car and sit on the mustard-coloured leather seats, the scent of which reminds me of my grandpa Bing's giant Triumph. My hands caressing the perfectly smooth, circular steering wheel. I'm dreaming that i'm in a JP Special F1 car, smoking a cohiba. As other kids came to invade my space, I exit the car door. and I continue to drift alone - me and the mentos-coloured, spiked caterpillar on the green leaf of the tree hanging heavily above the playground. 

As i moseyed on to anywhere, stopping at points to draw circles in the dusty sand with my toes, I pass by the swings. Just as i walk on, the air around me turns to a sucking sensation, things turn to silence, and with that ominous feeling a pair of flailing legs and feet in red leather sandals approached me at 300knots an hour on the up swing arriving to panel me and my torso, sending me skidding across the worn patch of grassy sand, the gravel burn tearing at my palms, at my dignity.  Being floored, my being deflated as a popped squash ball left limp in the corner of the court, I got up off the dirt and bawled my cool-blue eyes casting a river down the playground.

My teacher rushed to pick me up, hugged me gently as I wetted her camisole. 

It was a field of dreams. but after four decades, it's still embedded.

Thursday, February 22, 2024

'Take nothing, leave only footprints' - 2023.12.22

Simba and I sat beneath the acacia tree, me with an icey beer in hand, a vanilla-flavoured Steri Stumpie in his. Behind us was pitched our permanent tent. Before us, the grill-ready grey, lava-hot coals of the bbq. Above us, countless pulsing bright stars, numerous constellations and the Milkyway galaxy. Infront of us, anything we hoped for, or dreamed of and a beautiful, peaceful future. 

Embedded in the African bush at the Camdeboo National Park that night, we chatted, nibbled grilled chicken, showered, and flipped the switch for the best sleep of our lives.

It was only the marauding mosquitoes and the creeping critters that bothered us as they nipped at our skin...or so we thought.

The sun rose, we cooked the coffee, hurled our bags back into the boot, shut the doors, turned the ignition and before the night's dew could dissipate, the crunch of gravel beneath the tread turned to smooth tar as we headed the 8 hours back to Johannesburg.

Being able to hear the crack of a twig beneath my feet, to feel a gentle breeze blowing, and to smell hints of fresh pine, increased my spirits. I was living a pipe dream. December silence and serenity. It was left to me to unpack the car as we arrived in our evacuated hometown.

Gripping the luggage handles, the bags parted, split in two by a whipping, snaking, leathery black tail. Aghast, stumbling backwards, I released the handles as if they were a fiery live wire. 'Giuseppe!!!' I exclaimed, 'Giuseppe'!!!

Seeing the tail being sucked into the car like the length of spaghetti in the Tramps mouth, the skin on my back crawled over my shoulders.

With the adrenalin in my body boosted like a Soda Stream, I yanked at the bag handles revealing an exaggeratedly large watermelon-sized hairy, bristling, grizzly-backed striped rat. The peaceful silence that was, was no longer as I screeched from here to kingdom come. 

I calmed myself down, pulled my drenched shirt off of my back, tied my shoe laces and raced up to the apartment.

Rushing up the stairs, my heart thumping like a Lez Zeppelin drum solo, I shouted, 'Lee, Lee, you won't believe what I just saw'.

By candle light that load-shed night, my face glowing from the flickering candle, I believed, and convinced my wife that the rat had evacuated the vehicle. Surely.

Having settled my wife's strummed nerves, feeling a lot more relaxed, I was eager to read my eyes to bed. And so unzipping the luggage in which my book was stored, and lifting it, what fell from between the pages my eyes could not immediately decipher.

Scratching my chin in thought, I recalled a moment of our lives.

"I was once told that when our young lad spent a meal at a friend's house, even though he didn't want to eat the hotdog, he nevertheless took it so as not to embarrass the host. Later that day, while back at home, his au pair found the stray sausage buried in his trousers pocket. What a mensch'

Zooming in on the detritus, my senses buffered, came to, and then immediately suffered an assault. A grotesque blob of bio hazard sat at the bottom of my bag. 3 baby rats cleaving to one another. dead. With the high pitch of a female Michael Jackson fan, I screeched, 'Giuseppe'. From the bottom of my belly, bile bubbled up like a chocolate fountain at a 90's girl-friends pyjama party to tickle my tonsils.

Just managing to swallow hard, I then saw a fourth baby rat, alive, cleaving to a now holey t-shirt of mine. By this point, I had reached my limit. With my hand over my mouth, my eyeballs sweating wet, I picked up my legs and raced the contaminated bag to the outdoors bin casting the lot. Hands on knees I heaved and breathed and downed the half litre laying on the floor. 

That night the sun set, and was replaced by a bright full moon shining its cheesy grin. Peace and tranquility had been restored to suburbia. Our family fell asleep.
The camera panned across the building, then zoomed out. 
Just as the credits were about to roll and the theme song was to play, the innocent silence was aggravated... by an angry, rabid gnawing...........   

Sunday, January 07, 2024

A Visit to The Mapungubwe Visitors Centre, Mapungubwe National Park 2023.08.09

 Me and my bud Bones studied under the wonderful, exciting, yet demandingly tough tutelage of Peter Rich. It was his zany lectures on the Master Architects and their buildings, and stories of his escapades and pilgrimages to the greatest buildings of the world that invigorated me to scour the globe for adventure, experience and googly-eyed architecture.  

It has been a while since I ventured, but having had a gap in between jobs, I, with Ray, took a couple of days out to journey to a building that took us off the beaten track.

The building to which we travelled is called the Mapungubwe Interpretation Centre. It is located to the north of South Africa in the Mapungubwe National Park which borders Zimbabwe and Botswana.  The building won world recognition when it was awarded 'Best Culture Building of the Year' at the 2009 World of Architecture Festival.

It was designed and master-built by my lecturer and mentor Peter Rich, and moulded from the earth by the hands of the local community embodying the spirit of our Wits education-the romance of architecture, the utilisation of local materiality, use of local expertise, upskilling the locals, on-site design, and community engagement.

The landscape surrounding the site is vast and desolate,rocky and brittle. The red ochre earth is fertile to not much but the low lying shrubbery which peers enviously up to the tall, majestic, though alien-like boabas, some of which are the oldest in the world. The sky on our visit was deep blue harbouring lengthy stratus clouds eager to dock, clock and offload some much needed rain. The lengthy ribbon-like racing strip of road alongside the site is vast, never ending and monotonous.

Against the grain of this setting emerges an extraordinary outcrop. And from that extraordinary outcrop tumbles an extraordinary edifice. The Mapungubwe Interpretation Centre. 

Morphing technology with local endeavour, its voluminous, sail-like vaults flag its presence from afar as it pokes its head high above the hilltop. As the building begins to cascade down into a valley like a slinky down a ziggurat, the play of levels, stairs and ramps keep visitors moving, enticing all to explore. Elevated platforms and lengthy walkways are formed to offer unimpeded views of bulbous baobabs sitting squat across the lunar landscape. The collision of landscape and building creates hidden nooks and frames opening up portals to immense vistas. The building's colours and heavy, grainy texture coarse and rough like an elephant's skin, mimic the autumnal-coloured Mopani trees that inhabit the expansive landscape, giving one the sense that it was always there.

 The architect dragged a pathway which swoops and swings around the building affording ogglers views of the Centre from all angles, heights and distances. The amphitheatre, a centerpiece, becomes the backdrop for supermodels in Jackie O sunnies to fill their Insta feed.

In the amoebic-shaped reflection pools, we can see further the hand of Peter's sketches coming to life as the walls of the pools weave and meander as free-hand pencil lines.

Although it appears organic, there is an exciting underlying formal geometry at play.

Peter designed not so much a building as a landscape raised, inflated and thinned to create a playful, tactile and engaging edifice to reveal the story and the rich history of the Mapungubwe Kingdom. Ray and I were fortunate to experience this.